Blogging 101: Kindness is Magic Movie Serum, Transformations, Transformers and Transformees

Blogging 101: Assignment 1, Stream of consciousness writing about anything for 20 minutes.

I did mine yesterday during a long car ride and timed it; it turned out I was writing for 51 minutes in my journal, so now I’m transcribing it to post it. Warning! It will be over twice as long… Some frustrations: not remembering character’s full names, so I will look them up before posting, and not being able to discuss a bunch of the movies I mentioned, especially: Tootsie, St. Vincent, Birdman, Barefoot, Bringing up Baby, Philadelphia Story Being John Malcovich, Stranger Than Fiction (2006), and going into detail about the transformations in them, but it would be a way too long post!

My topic: Kindness is Magic Movie Serum, Transformations, Transformers and Transformees:
Most movies that move people involve transformation of course. Even though that’s obvious, I’m very interested in the mechanics of it, as I’ve been watching a bunch of different kinds of movies, both in theaters and on DVD or Netflix or other at home movie venues.

Here’s a list not in any order of recent ones I’ve seen: Cinderella 2015 made with people not animated, Home 2015 animated 3D in theaters, then movies at home: Groundhog Day (3rd or 4th viewing), The Anderson Tapes (from the 70’s?), Gone Girl 2014, Birdman 2014, Tootsie (1982), St. Vincent 2014, Barefoot (2014).

In most of these movies, which are a mixture of genres: romance, children’s fairy tale romance, children’s adventure movie sci-fi save the world, crime thriller, romantic comedies and for Birdman – independent style not sure the genre- drama? But it’s a “second chance/mid-life rebirth” type movie or falls into the category of movies like one of my fave classics, All About Eve, actually very similar. Bette Davis is the Birdman character; she is not changing genres like he is from blockbuster superhero to serious stage actor as an “old” actor”, but competing with her so-called admirer crafty younger actor who resembles the Edward Norton guy – very similar issues involved actually. Then St. Vincent- not sure the genre, drama with bad to good style plot- the guy Vincent starts out “bad” and is revealed to have always had good qualities, but also transforms in the present into a “gooder” person, a bit like the guy Jay in Barefoot, who has just come out of jail and is viewed as a total mess up failure, especially by his family. In St. Vincent, the boy Oliver is the Transformer, and in Barefoot it’s the girl/woman Daisy whom he finds on the psych ward who is an “idiot savant” type. I love Bill Murray and I’ve seen him in a bunch of movies with this kind of transformation, you have Scrooged, Ground Hog Day and St. Vincent all similar transformations. He’s even in Tootsie but not playing the main person, Dustin Hoffman’s Guy/Woman, Michael/Dorothy Michaels.

So my intense interest in transformation in these movies is the way there is the main character, usually has to be “likeable” despite being self-centered, uncaring, an “asshole” etc. like Vincent, Phil in Groundhog, Michael in Tootsie, and just how the person gets transformed by another key character and/or device that transforms him/her, what I call the “Transformer”. The word “trans” means cross over so the whole word means to cross over from one form to another. Many of these movies play with physical transformation versus spiritual, or outside appearance versus what’s inside/soul. Tootsie and Cinderella are the most obvious ones. In Tootsie, what is so fascinating is that Michael invents Dorothy and then he himself as the better part of him, in the form of the invented woman actor Dorothy Michaels is the Transformer. Unusual where the Transformee is transformed by a Self inside him of his own making; in addition, as Dorothy he transforms many of the characters in the film…

Crossing over involves a kind of metaphorical bridge- the plot device that the character goes through. In many movies the Transformer character is usually “heroic” in some way and can stand for some idea, like Cinderella in this version stands for goodness and courage. She is transformed spiritually or “inside” at the beginning of the movie through loss- a common transforming device –death-, the loss of her mother. Her mother passes the transformation message to Cinderella: “Be kind and have courage.” The girl Ella loses her mom and eventually also her dad and is changed into Cinderella, given a new name by the evil stepsisters and turned into a maid/servant by the evil stepmother.

Whether in tattered clothes or magically fancy princess clothes on the outside which have an expiration time, midnight, – Cinderella remains the same on the inside. Ironically, in this version the fairy godmother turns from homeless old woman to fancy fairy lady and uses her magic to create the changed dress, coach and footmen horses, – lots of dazzling outer transformations which do nothing to the inside sweet courageousness of C. She meets the prince, who is the Tranformee in this film (it’s the opposite of the usual movie focused on the Transformee, here most focus and scenes involve C. the transformer and luckily, hardly any involve the prince.)

The meeting in the forest, their first meeting, is where C’s Transformer power passes the message to the prince, and when he receives it like a truth serum he becomes transformed, not from bad to good but from ordinary and oblivious/unaware, uninteresting to awakened and aware. C’s power on him is to get him to see the world around him completely differently and to become awakened, much the same as what the young woman Daisy in Barefoot does to Jay through the movie device of a mixed up “road trip” (many road trip movies use the idea of going on a long journey in the physical realm crossing into a journey in the metaphorical realm). The rest of the film involves the usual drama with the fairy godmother, The Fancy Big Ball, the glass shoe and magic stuff, but for me the moment of magic –prince out hunting encounters girl on horseback saving the deer and shooting her truth arrow into him such that he spares the deer’s life at her request and calls off the hunt. That was where the movie’s main interest sort of ended for me.

Often Transformer characters are very sensitive and have an awareness or even communion with animals that ordinary people do not. Cinderella reminds me of Derek in Ricky Gervais’ TV show Derek, as both pass the message of “kindness is magic” and both love animals and have a special relationship with them. So I confess I loved the moment C locks eyes with the handsome deer (more majestic and dazzling than the silly looking prince, maybe the big male deer symbolizes whom the prince turns into) as well as her relationship with the mice who are her only friends. While this movie didn’t thrill me, it made me think, and I liked the focus being mainly on C. portrayed as a real person, slightly elevated in kindness, also an outcast/outsider/loner, seen by her step family as stupid, foolish, unworthy and not even a girl, and less focus on the prince. The way C. gets transformed is that her faith in life/hope is challenged when she loses her father and gets kind of abducted controlled by the stepmother and sisters, and she has a moment of not believing and stopping hoping for anything to get better for her, then is restruck with faith- a common transformation of a transformer good person character.

Like in Groundhog Day the character Rita, she doesn’t change much as a person but even she has preconceptions that Phil is shallow, selfish and egocentric. Throughout the movie, she gets thrown from one side to the other, seeing him that way and being surprised by something unknown about him, and in “falling” for him she does transform her view of him, but she is mainly the Inspiration/Muse of his big transformation.

The device that transforms Phil is the Supernatural, the plot of the movie. Every day he wakes up is Feb. 2, Groundhog Day until he is fully transformed by the end of the movie into the man he could be and turns into it through living the same day over, maybe 100 times or more, so that by the end of the movie, his goodness and caring for other people which is caused by his “awakening” actually lead to his focus shifting from getting the muse- Rita, whom he is in love with, to falling for the town he is stuck in and all the people in it. It’s great that he keeps waking up but it takes a lot of literal wakings up to really “wake up”!!!

There is a lot of interesting metaphorical stuff in his repetition of the day, he is literally reborn as he dies many times and wakes up back in the inn at 6am Feb. 2. I’m areal sucker for this film, I rewatched it a few months ago after years, so that time I hardly remembered the details and that viewing of the movie did have a kind of magic transformation on me, the viewer. I really love these types of awakenings movies; even the C movie (I’m super sick of that fairly tale I am so annoyed by it,) but still, it cast a spell on me.

Groundhog Day, like Cinderella, actually gave me a dose of wakening/inspiration serum to become a better person. Yesterday I saw it a third time a few weeks after the other time. Again I had an “aha” moment where I made a conscious decision work on being present and mindful more in my life, to try to be the kind of person Phil has become at the end. After seeing Cinderella I felt the same, so the movie itself can be not so great/mediocre and still shoot the arrow of, wake up in your life, look around you and be aware and wake. Of course it’s better if the movie is really good. So now I’m testing out this recent viewing of Groundhog Day to see how long this “spell” may work on me. It’s on my list of favorite “romantic comedies”; up they’re with Happy Accidents – also involving supernatural, Bringing up Baby, and The Philadelphia story, Being John Malkovich and Stranger Than Fiction. Groundhog Day crosses from romantic comedy to supernatural comedy like Stranger than Fiction. There are more old movies that I love, but that’s what I remember without looking on the Internet while writing this.

Groundhog Day’s spell on me – its’ the next day of my life, but I’m still in a heightened sate of consciousness induced by it. I love the idea that lera to really be present and awake and mindful of the here and now, you really do repeat the same day over and over. The movie is saying that life itself is like that. Ordinary daily life can by transformed by one’s own consciousness. Every day we wake up with a new chance to live in that simple magic of the moment, and when that happens it sometimes does seem like animals can talk…

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