Day 18: 13 Minutes Stay Home, Stay Home, Stay Home

Just finished watching this week’s John Oliver show, very sober in the sense of the word that means taking what needs to be taken seriously very seriously, and ending with a painting of rats in a compromising position from a 1992 auction in Pennsylvania somewhere in the dark caves of Netflix…

When I discussed doing a ‘Covid 19″ Crazy thing, I definitely meant in your house because you should be there if you’re not doing something on the front lines. Like cutting your hair weird because you are not going out to get a haircut and the only way you’ll get a good one is if you are a haircutter or live with one.

I did cut my bangs last night, very quickly with a pair of scissors lying around. I don’t have haircutting scissors even though I am obsessed with scissors and there is a pair I desperately want sold in the MoMA design store (online of course).

I had a good day today because I had work to do and felt good about being distracted by work with clients. The weird thing is that while doing remote sessions with clients, I am of course sometimes talking only about Covid19 and its effect on their lives or briefly checking in on their situation with it, BUT, it’s not the same as hearing the news or reading it and does not bother me because I like hearing how my clients as individuals are managing it and what their points of view are as well as helping them mange dealing with stressors around it if that’s where they’r at.

.Some people could tell of course that I am not in my spacious art studio office but a very cozy little tiny makeshift office. I even dodged being asked if I was home by saying I was in a spaceship. Of course my clients know I’m not at work, but who’s to say that I’m definitevely at home. I still like that boundary of the potential for the fantasy that your therapist exists only in either my spacious cave on Franklin Street or in a space capsule, as both have no windows. I once had a client who said she imagined me sleeping in the paintings stacks and always being in my studio.

I don’t know if I’ve written about it, but way before today, after an initial few days of manic energy posting on list serves about remote therapy, as I have been doing it for years, and posting about online therapist classes, etc. and very hyper quickly starting a Facebook group of Covid response art and an starting my Covid I Ching Altered book, I am now in the second stage of my own stuff with this, being overwhelmed by the news and everything else. This includes all the emails and feeling bad that I can’t make masks. I signed up to voluteer/give free therapy to Covid workers who of course have no time for therapy, I am at a point where I am not demanding much of myself (I considered finishing my book proposal about altered books and working on some other big works as well as trying to arrange art face time hangouts with my friends…) That went out the window.

My new, low bar for self-esteem: I am just showing up at my office, working with my already enough batch of clients, trying to keep up with paperwork and doing this writing daily as well as yoga, remembering to eat, and also sharing the family cooking. Not yet caught up on my comic strip.

That’s it. The rest is just stay home. When outside only every few days, wearing mask and gloves and stay away from people. It’s called Physical Distancing, not Social Distancing.

My days feel even fuller than before. My last big challenge is going to bed at some fucking decent time as I’ve gone into the 1am zone and I should be in bed now at 10:45. That’s it. I’m just a little person trying to do the right thing, happy to have my clients and family and friends and grateful to be healthy and alive another day.

Stay home stay home stay home.

I can edit this tomorrow. I just edited it at 11:39 am. Time to go put together a cool work outfit with makeup and jewelry as my own self-care.

 

Re-Committing to Writing/Blogging

I haven’t posted since late September, so I am going to post a list of topics and try to get back to regular posting.

-Yoga Practice Book I’m reading and my own thoughts on my Home Yoga Practice

-Mini Double Sided Vision Boards as an Art Therapy activity

-Cut out poems using text threads as an Art Therapy activity

-My Mandala Project in progress and where it is

-My Still Life Revival and Oil Painting

-Paintings and Drawings, Abstraction or “Non-Objective” work and where it is

-Commitment, Focus, Discipline, Persistence with making a body of work, what distractions come up to self redirect

-Burning Bridges and Building Bridges, a DBT skill

-DBT class and what I’m learning so far

-The challenges of focuing on positive energy and reframing “problems” as challenges. The work of turning the mind towards compassion when in the midst of chaos or emotional reaction

-Daily Rituals and Gratitude Practices, Evolution

 

The Fifty Minute Hour, or Thanks for the Clock, Kasa

I just wrote this piece that is mostly not about Kasa’s clock, but maybe all of it kind of is. She brought the clock to my studio when she was seeing some clients there and left it there and forgot to ask for it back.

The 50 Minute hour. That’s what they used to call it. Now most people do 45 minute therapy sessions. When I started private practice, I did hour long sessions; in art therapy often you take time picking out art materials and settling into the rhythm of the session. At some point I switched to 50 minute sessions, where I am now. 45 or 50 minute sessions, time still works like the Twilight Zone, where it gets stretched out like taffy. You can fit a lot of intense stuff into just 15 minutes.

There are many jobs that involve watching the clock. I can speak for mine that it is a strange aspect of the job. On the surface, any therapist will tell you that the built in boundaries of psychotherapy are an important part of the experience, the earthy reality stuff like price, session times and frequency, even the office itself. I had a client years ago who started with specific requests, it has to be every two weeks, and you have to not judge my alternative approach to romantic relationships. I had someone with a strong reaction to the studio space, saying it felt like a garage full of old paintbrushes and if we could meet in a clean space with comfortable chairs, he’d rather work with me there. He had to accept getting his therapy in a dirty garage. This was before the options of Facetime/video sessions were an option.

When I started private practice, I didn’t think too much about the clocks and placement of them until a client told me she needed to see the clock and be the one who announced the end of a session. When you’ve had a traumatic loss as she had, having control of the time is important. I brought in a second clock and placed it where she could see it. It was back when I still used a digital alarm clock with a loud radio alarm to wake me up. When I worked at a day treatment program and was doing an art group, a client pointed out that in all watch ads, the time is set as 10:10. It makes sense. If it was the visual opposite, 8:20, the hands would look like a sad face. Working at that program, I appreciated the stretching of time and the Twilight Zone of serious chronic mental illnesses like schizophrenia, where time is in quicksand. One of my clients spent the whole day in a chair in the big group room. Another one had no complaints sitting in a dentist waiting room for 3 hours not even reading magazines.

Recently my clients and I noticed in the second room of my studio that the clock was not working. It’s an analog on the wall above shelves, meant to be placed for clients to see. I found a new one at Ikea this weekend, that even has Roman numerals. I also had a cool sun ray clock with actual pointy gold rays radiating from it that also stopped working recently.

I have a very small silver clock with the bells on top that I “inherited” from a friend. When she died in 2013, I realized I had her clock. It was so silly and obvious that time had run out for her and I better be enjoying as many minutes as possible myself. It had a loud ticking that one of my clients requested I put it in a drawer. It eventually stopped working, but I have it out on my desk with my stuffed “studio bunny”, a reminder of the well know rabbit with an anxiety disorder where he keeps looking at his pocket watch and freaking out. A little stuffed animal that I had lying around. Years ago a patient brought in her dachshund and the bunny was a great chew toy distraction for him while the client was working on a huge piece on the floor. He got pastel all over the bunny’s white body, and she then really was broken in as a true art studio bunny. As an art therapist I can get away with having a lot of stuffed animals in my office.

My Dad has been into clocks, watches and their workings since childhood. As a kid, really wanted his dad’s clock and got it, nothing fancy and had it a long time. My grandfather knew how to fix clocks. When I was growing up there were antique clocks all over the house that went off on the hour and my dad would take one of those old clock keys and wind them. They are still there. Last I counted there were at least ten antique clocks in their apartment. One’s entirely covered in gold, and has a cupid figure with a bow standing next to the square of the clock part on a pedestal. He has gold wings and is holding fruit over a bowl of fruit on top of the clock. Another one has marble columns and the pendulum is a gold sun. In the library there is a clock with a rooster on top. My favorite is a clock in the dining room, It’s a harp but symmetrical with a gold sun at the top and the clock part is the body of the guitar shaped harp. A few years ago, my Dad gave me his gold Omega watch and a pocket watch. He was giving his watches to his kids, not waiting for death. He used to wear suits with vests where the pocket watch would go, complete with bowtie and hangkerchief. I took the Omega to the guy below my studio who fixes shoes and watches; it’s a shoe repair, barber and make your own nailpolish shop all in one. It turned out the watch did not need a battery and is the kind you actually wind. Growing up I loved watches and my Dad would bring Seiko watches from Japan. I went through a phase as an adult where I stopped wearing watches and just wore watch rings. I collected a whole bunch of different watch rings and found it easy to look at the time without clients realizing because you see your hands more easily than having to move your wrist to check the time. At some point I went back to watches and started collecting watches again. I have a very large square one with a silver band that was the first fancy one that I got. It has Roman numerals on it.

In my own therapy which is five minutes less than the 50 minutes my clients get, I look at the time often. This is the first time I have a therapist like the white rabbit except he is not anxious about arriving late. When he is late, I set my timer to get my exact 45 minutes. One time I was on the way into the subway and he texted that he had to cancel as he wasn’t going to get to his office on time. As some other therapists, I tend to enjoy hearing about other therapists messing up as it makes me feel better about my own mess ups.

Time is also weird for me as an artist. People ask, how long did it take to make that drawing/painting. I now write the date on the back of my work as soon as I start it or restart it to know what date I did it, and I set 15 minute timers for drawing, but I never know exactly how long anything takes to make.

Projects

I tried wirting a post about my unfinished projects yesterday for 15 minutes but it got too complicated. I’ll try the more organized approach. THis is a list of projects I’ve started in no particular order.

  • Graphic Novel, I(3) (meant to read as “I Cubed”), memoir. Started in 2000. Stopped finally in 2017.
  • Children’s Book: The Flying Poodle, done in late 90’s, abandoned and lost
  • Art Therapist Made Activity Book for People with Airplane Flying Anxiety/Phobias, including: “Facts About Flying”, Word Searches, Coloring pages, Doodle and writing prompts, maybe crossword puzzles. Could be made like a journal format. Got to the idea point.
  • Memoir in form of Picture Book for adults, inspired by “Depression, A Picture Book” and another one. Got to point of using Word Search cutouts to make limbs on characters, did 2 pages, recent idea
  • Books: Using Altered Books in Art Therapy. Plan to edit the book. Got to the point of inviting some other art therapists to author chapters and emailed with Jessica Kingsley Publishers. They reached out to me last August about possibly writing some kind of book.
  • Poetry and art therapy with/as case study: book with a client’s poems written in session and between sessions and my response poetry. Tried to start with categories of poems and with client going through her poems and picking out ones she likes.
  • Possibility of trying to incorporate pages from abandoned graphic novel into some sort of other book with multiple media
  • The Art Box, a book also personal narrative, about my creative process and using pieces about work as an art therapist, artist and personal life to do with creativity. Memoir of Creativity
  • Some kind of compilation of my comic strips from my art therapy Instagram account, comic strip, “The Daily Grind
  • Website for my art, with newest work and prices to sell directly from website
  • Spreesy an app to use to sell art from social media, getting organized and trying to sell through it.
  • making this current website more organized, going through the “Pages” to make it more coherent and look better

It’s interesting that I almost “forgot” about “The Art Box” project, as it is supposed to be something I’m working on now. That was the idea in spring of 2018, to use some time weekly to work on it.

These projects are all in category of “Other”. The main projects are my art projects that I need to finish to sell the work on the website mentioned above. Current art projects:

  • Mandala collage paintings
  • Cityscapes
  • Abstract square drawings, made bigger on wood boards

 

Day Before Workshop!

All blog posts related to this workshop will have the category that you can search, “Altered Books Gender Identity Workshop”.

I am excited for tomorrow’s Altered Books and Gender Identity/Gender Diversity Workshop that I am fascilitating at the Expressive Arts Therapies Summit Conference from 2-5pm.

I will be posting materials for the workshop, used in the workshop, and for workshop participants and others to have that have not been fully covered or to continue any topics about altered books as art therapy and gender identity and diversity.

I am going to be “showing” more than telling, in terms of directives that are useful with clients using altered books and directives about gender identity and both.

 

 

The main focus of the workshop can be summed up as:

Let’s play with gender, and let’s acknowledge and celebrate the gender spectrum. Your altered book in progress is your personal gender story unfolding.

I will try to post photos and images to these posts when I have time and hope to post photos from the workshop itself, which I will be writing up to submit to the new Trans Bodies Trans Selves book…

Altered Books Process: The Invitation

I had a very long document about the stages of making altered books with clients, so I decided to make it into shorter parts and post each part separately on this blog.

This is about the stages of the evolution of the making of the altered books, and the activities and art therapy “directives” I recommend using. The first part is of course the beginning, which is the introduction to the project. I’m changing the document by including some examples from my experience. The beginning part is perhaps the most important part of the process, as many clients stop/abandon their chosen book at some time during this process.

The first part I call “The Invitation”. I’ve found it works best when the invitation comes from one of my altered books out in my studio; the client sees an altered book and asks about it, so I bring one or two out to show them what it involves and then invite them to do one if they seem interesteed. Often I get excited when they are interested and have to be careful to watch my enthusiasm level. at times I’ve brought the project up as an option, when a client is looking for a new project and seems to want something unusual and unfamiliar.

In some cases people will want to bring in one of their own books that they have a personal connection to. Pertinant Issues to Process include the client’s relationships with books, reading books, and with writing, and what it is like to contemplate using a book to make art with. Usually, given that most people are unfamiliar with altered books and are uncomfortable with treating a book this way, they will find it easier to choose a book you have in your office.

If the client chooses to try the project, I bring out a bunch of different kinds of books to choose from and explain how it can be easier to pick one of these than to bring one from home. It is best to have a variety of choices of books that you supply, so the person does not feel like they have to “ruin” a book of their own and feel that the therapist will hold the “bad” part by giving permission to “destroy” a published book. Most of the time, the client chooses one of my books and we dive into the process.

At this point I have to decide whether I am going to do an altered book with the client, in “parallel process”,  or sit with the client and witness their process without doing one myself. It’s not much different from other times when I decide to do artwork in the session. Sometimes I will ask the client directly, “Will it help you if I do one while you’re doing yours?” In some cases I do start one and then can be aware of times in a session when I stop working on mine and just have it in front of me, as the choice is still there to not actively do mine alongside the client. It’s an important moment to be aware of when a client who naturally talks and makes any kibooksnd of art in the session chooses to stop what they’re doing and start verbal processing, and when they turn back to the art work. My clients tend to talk during the art making process, and thus, we have two dialogues going on, the verbal and the non-verbal. With altered books this is the same.

On several occasions I have had a client follow through on bringing in their own book to use, which has been memorable, as most do not. One graduate student of a psychology related program brought in a copy of the DSM 5 (Diagnostic and Statistical Manual of Mental Disorders), and had the obvious goal of getting out their frustration with all different aspects of the program and being a grad student. I was able to find on hand a copy of a Melanie Klein for Dummies book and decided to alter it while my client altered the DSM 5.

At this point, we have the book or books and are ready for the next stage.

Altered Book Project Update

I was going to try to keep up on a daily basis with this new Altered Book, but everything got away with me. The Altered Book has a life of its own. These are photos from Sept. 7 until yesterday; I have photos from today for another post. As the book is on a page full of wet stuff, I can’t take photos of other pages I’ve changed, so I will comment on these photos below spanning about 22 days!

These photos represent the phase after beginning described in the last post. You’re getting deeper into the book and discovering more, but still adding first layers you will probably return to; thus, there is no pressure about having a finished page…

I also think of this as the chaotic jumping off creative period I would associate to the Fool Card in the Tarot; anything goes, and weird unplanned stuff happens; I felt like I was starting all over, as if this book was my first altered book project…

This is a page I had fun using more paint and glitter glue after the two below. The theme is introduced for this phase of  covering pages in the book and putting something on them to start the process of making the book mine.

I use binder clips often to hold together pages. The page on the right is the table of contents. I thought I was going to leave some of the text but most of it is already covered up. I used white out and pen and then a lot of clear glue on top with the black glitter glue. On the left you can see some white marks from trying to cover text with oil pastel.

The next pages are the forward that I covered with white oil pastel and crayon.

Here, above, and in the photo below, you can see how I’m trying to cover several sets of pages with white and black acrylic and use binder clips to keep them from curling up and getting stuck to each other. The most annoying part of the process is having to wait for wet media to dry so I can work on top of it!

Below is some commentary and an attempt to write about my own secret regarding wanting to write and finish my own book, called “The Art Box”. It seemed fitting to write about it in this book, but it may end up getting covered up with something… I considered not posting this page right away, as I felt some kind of weird embarrassment about it.

Using Personal Things from your life, or pieces of them: I recently sold a drawing to a friend in Berlin through her seeing my latest work on Facebook; I got her check from Germany and liked the paper she wrote on, so I put it in the book. This is the point when I started collecting personal items or finding notes and things that I kept around wondering what to do with them, and finally had a proper place for…

I have told clients countless times to bring in personal photos to add to their altered books and to other art work. I have done this before, but not much, and not this way. I found a photo I took recently of street art and printed it out. The colors are vibrant and it might even look like it was painted onto the page. It also ended up being part of a new exploration of faces that came up out of the blue recently… Synchronicity.

The above photo is upside down. I cut up pieces from a restaurant experience. The server gave us paper and crayons. The drawings are my 11 year old’s doodles.

 

This is an example of a page that was ripped off so you can see the next page underneath. More drawings from the restaurant and the drawing under the second page where you can still see the chapter title (How to Use the Secret) are glued and taped on. That drawing is one of mine I found that I never finished… Same with the photo of the page below.

The first “Altered Book” art project I remember seeing was at the Outsider Art Fair around 20 years ago, when it was in the magnificent Puck Building on Houston Street. Back then, the artist was present and you could actually talk to them about their art and being an outsider artist. I remember asking the artist about her books, which had a lot of glue in them and all over them. I don’t remember much else about them.  I guess I first saw an altered book not at a museum but as an art work that got made organically, that had a life of its own the way altered book projects can have.

The Altered Book is not just a piece of art. It’s a living, breathing creature. You start out with a basic body, the book as it was published, that looks just like all the other ones of the same title and author, and the artist puts it through a “Kali” like birthing process that involves a lot of destruction in the service of creating this new living being. Kali is a Hindu Goddess, from the Sanskrit word “Kali”, translated as “time”. She is described as a destroyer of “unreality”, a liberator. I’m no expert on Hindu gods, but I do associate Kali with the process of altering books and how one has to destroy and use up in order to create anything. A pencil that never gets sharpened is not involved in any kind of creation. The book even has a skin, whether it’s the book jacket that covers a hard cover book, or just the outside of the covers and the actual covers, with the pages within as the innards. The process of altering books brings up all kinds of weird processes like alchemy, dissection, and autopsy, but that may just be the beginning stage, cutting open the body. With an altered book, you kidnd of do the opposite of an autopsy; you cut open and expose internal organs for the purpose of repurposing them and making something new, more like the way an organ gets donated and incorporated into the new person’s body. Now that kidney no longer belongs to the donor and the donor is erased, though an integral part of the process, just as the creator of the original book must be killed off for a new peice of art to emerge.

I love paper, making works on paper, drawing, and then even becoming very physically involved in the process with the materials. even just using pens and pencils on paper, I like to see the grooves a pen or pencil can make, how it changes the paper.

Unlike the experience of looking at a published book or even writing/making one, making an altered book happens in a chaotic disordered way. You don’t have to start with the cover and go in time order page by page. You can start anywhere and the pages in the middle of the book might get cut up and put in the front of the book or anywhere else. Each time you come back to work on the book, you are in a different state of mind, and, unlike with writing a book, you don’t have to get back into whatever you’re doing. It doesn’t have to make sense. It changes each time you interact with it. At the same time, it evokes soemthing different from making a painting with many layers. Books are loaded with meaning and the concept of time passing. You may go anywhere in the book to work, but you still end up with a product that looks like a book, unless you are altering the book to the point of making sculpture out of it, but to me, that gets out of the realm of the Altered Book. The Altered Book I think of and make and witness the makign of, is still a book at the end, finished or not. There are traces of what it was, like the original book is the parent and the art piece is the child. There may be resemblances and reminders of the parent, but the altered book has become a totally new being, one that has never existed before.

The idea of the altered book as being a reallly physical process is what I am interested in.  And the process. The process can feel like a fight; very violent and visceral; you get in there at the beginning and attack the book, to subjugate it and get it to really become yours to do what you want with. There has to be that initial struggle, very physical, involving cutting, ripping, tearing, sanding, poking, doing very active things to the very body of the book. Most of the time the spine is very affected by the making of an altered book. You have a choice of letting the book spill open, or cutting open the spine and adding more cardboard to extend it so it can be closed. To do that, you have to cut the book into at least two pieces and add to it. A lot of altered book making in terms of the body of the book and undoing it feels like surgery.

I am reminded of reading about Leonardo Da Vinci and his dream of doing a book of all of human anatomy. He made friends with doctors/medical professors and “borrowed” corpses from them . He would go at night and dissect this human body and scribble in his notebook as fast as he could, drawing what he saw and sometimes more what he felt because there was no formaldehyde to preserve the body, so it was a race against time and probably really smelly too. It was really messy, and not like messing around with paints. I was fascinated with his process, and his hyperfocus and obsession. He didn’t finish his book of anatomy, but you can see his drawings and writings about the internal organs.

I can’t imagine what it would be like sneaking into a place to cut open a dead body and draw the organs late at ngiht or at any time of day, but making an altered book has that kind of feel to it. Once you get into it, this “thing” you are interacting with can take over and there can be a really exciting obsessive quality to it.

 

 

 

 

New Post: Feature, Altered Books

Today is my first day back from vacation. I kept up a lot of daily habits while on break, but did not keep up my writing daily at least 15 minutes habit, so I’m starting up again.

The last assignment in the WordPress Blogging Fundamentals class was about having a Feature topic.

 

  • First, think of the type of regular feature you can commit to — something you’ll publish weekly, biweekly, or monthly.
  • Next, start your new post by clicking the button below. This can be the first installment, or an announcement of what’s coming.
  • Finally, give your post a few tags, including bloggingfundamentals, and publish it.

 

My Feature for this assigment is going to be Altered Books, no surprise, which I hope to post at least weekly about in order to have it be helfpful for preparing for my looming upcoming workshop on Altered Books and Gender Identity.

Last time my Feature was Gender Identity, which should continue to be a Feature and at some point  the two, Altered Books and Gender Identity, will of course come together in some way.

Anyway, I haven’t really approached altered books in terms of writing about what makes me interested in them and topics connected to that. Things have to have a starting point.

Some ideas for separate topics for this Altered Books Feature include:

How did I get interested in Altered Books as an art form.

What was my first altered book that I made.

What led to my using altered books in sessions with clients and supervisees and even for peer supervision.

Some nuts and bolts about altered books, how to make them, the important stages of making them, the materials used.

How altered books involve a great way to use almost anything as an material from paper clips to coffee filters to coins as some odd examples.

What it means to finish an altered book vs. abandon one in some stage of the process, especially with clients in art therapy.

More specifics about the workshop and using altered books to explore gender identity.

I had started writing about the first topic, but I think introducing the Feature is best for this post and I will focus on beginnings in my next Feature post.

 

Learning the Fundamentals, Day 3: Visit the Neighbors

I’m going back to Day 3 to fully complete the assignment for the WordPress Blogging Class, Learning the Fundamentals. As I edit this post, I can sthat this Fundamentals Day 3 did not disappoint in terms of learning and discovery and going deeper into blogging through going back to Fundamentals. And discovering other random surprises.

Assignment: “Visit the Neighbors”, and find five blogs to follow. I follow 540 blogs and can sort them in different ways. Given that I’m trying to redo this blog, I was hoping to start over with following blogs, but I can’t really do that. I can go through the blogs I follow and reacquaint myself with them, but 540 blogs is too much to try to go through and check out.

I’m following the tips in the assignment and trying out specific tags in the Reader as a way to get to see unfamiliar blogs. I am starting with the tag, “Altered Books”, since that is my focus for now in order to get ready for my workshop and not suck the fun out of it stressing out about it in October.

The first one I visit is https://catseatdogs.com, by Clare. It’s a great title. The tagline is: Fabulous. Friendly. Homemade. Then I found all their social media and follow/liked it; this is a way to be more aware of when they post on her blog, and a way to get to know them more and what it’s about, which seems to be making art and journaling. There is also reference to the “Get Messy” community, intriguing and could lead me down a whole other distracting path. This blogger is using altered books in a specific way, as “found books” to transform into art journals; the post I looked at involved choosing what book/format to alter.

Second blog I’ve chosen: https://ravendustblog.wordpress.com The blog has 10 followers but has posts since 2014, and the fact that the About Page has nothing on it and the widgets and social media links are not filled, tells me this person, Dusty Corvid, is very specifically using the blog as a kind of “Log”, for classes in Foundation Textiles, “OCA”, Open College of the Arts, which sounds like a cool place for learning all kinds of arts.So it’s not a blog intended to have a large audience…the posts on altered books involve the blogger making an altered book as a work of art and not a journal, which is refreshing. Also the technique of putting a white wash over pages of writing is an interesting way to “undo” the original book in preparation for painting.The blogger had reservations about drawing in a book, another really great topic to discuss when talking about altered books. In addition, it turns out this blogger is a fan of Cy Twombly whose work I love. I had no idea Twombly was a cryptographer. Then I stumbled on a post where the blogger went to an exhibit of drawings of Alice in Wonderland, my favorite book ever, so I am excited to explore more posts.

Third blog is: https://orangemarmeladepress.wordpress.com This artist makes all kinds of books which you can see on their blog/website, but the post I really got excited about was the one where the blogger was helping clean up after an altered books class at a local library (I had no idea libraries offer altered book classes!), and finds a book in the trash that got started and was abandoned.

That is a whole other post I will have to use this link for. Lately I have been thinking about the altered book as a project that is just as interesting when it gets neglected, destroyed, abandoned or put in what I call The Art Box, a kind of limbo for art therapy projects.

I next made a new tag in my reader, “Art Materials”, and visited a blog post about getting rid of old art materials and deciding to keep some. This is the blog, entitled “Exploring the Magic that is the Right Brain: Writings, reflections, and a log on art practiceand specific post: https://encodey.wordpress.com/2018/07/12/judgment-befalls-the-art-supplies/ What do you do with art materials you “never” use or have developed resistance to? I love reading what other artists say about their materials and how they use them, and am writing more about it anyway.

Number 5, in the tag, “Gender Identity”, I struck gold again, and found a blog called janitorqueer about a person who is a janitor and genderqueer. I have always been interested in the job of a janitor as I am interested in a lot of unusual jobs people don’t think about or talk about to kids as something to do when they grow up.

 

And that makes five. This assignment was a treasure trove rabbit hall to go down. I think limiting it to five blogs is important, so you can really get to know five blogs and bloggers more than surface level…